William Forsythe - A Quiet Evening of Dance

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William Forsythe is undoubtedly one of the foremost choreographers of his generation. For this unusual configuration of new and existing work, Forsythe has imagined something akin to an evening of chamber music, designed to be listened to.

The works range from sparse analytic condensation to baroque inspired counterpoint. The intricate phrasing of eh dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet.
The evening is performed by seven of Forsythe’s most trusted collaborators, who promise to provide insight into the workings of ballet and the mind of the man who has dedicated his work to this task.

The works range from sparse analytic condensation to baroque inspired counterpoint. The intricate phrasing of the dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet.

The evening is performed by seven of Forsythe’s most trusted collaborators, who promise to provide insight into the workings of ballet and the mind of the man who has dedicated his work to this task. The programme includes two new pieces, Epilogue and Seventeen/Twenty One; two reimagined repertory works, Dialogue (DUO2015) and Catalogue (Second Edition), as well as Prologue, an excerpt of Seventeen/Twenty One.

This production won the prestigious Winner of the FEDORA - VAN CLEEF & ARPELS Prize for Ballet 2018.

★★★★★ “A rare and revelatory evening”
THE GUARDIAN 

★★★★★ “A richly satisfying programme: witty, unpredictable, superlatively danced.”
THE FINANCIAL TIMES 

★★★★★ “Quiet it may be, but William Forsythe’s latest evening of dance at Sadler’s Wells resounds with an extraordinary cerebral and imaginative force.” 
THE STAGE 

“Seventeen/Twenty One” is a humdinger of a work” 
THE NEW YORK TIMES 
A Sadler’s Wells London production. Co-produced with Théâtre de la Ville-Paris; le Théâtre du Châtelet; Festival d’Automne à Paris; Festival Montpellier Danse 2019; Les Théâtres de la Ville de Luxembourg; The Shed, New York; Onassis Cultural Centre-Athens; deSingel, Antwerp. Photo: Bill Cooper.