Digital Edition

17 - 19 April 2020

Archived Show
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Sadler's Wells

Rosebery Avenue, London, EC1R

 

Join us as we investigate how dance artists are experimenting with new technologies to expand the choreographic world, from virtual reality (VR) and augmented reality (AR), to robotics, artificial intelligence, and the merging of film and live dance.

Alexander Whitley - Overflow
Wilkie Branson - TOM
Alexander Whitley - Overflow
17 & 18 April

Exploring what it means to be human in the era of big data, New Wave Associate Artist Whitley fuses dazzling kinetic light sculpture with an ambient soundscape.
Wilkie Branson - TOM
17 - 19 April

New Wave Associate Wilkie Branson returns with his moving film installation TOM, created for our 20th anniversary, part dance film, part 3D installation.


New Movement Collective - Project XO
Gilles Jobin & Artanim - VR_I
New Movement Collective - Project XO
17 - 19 April

Using cutting-edge audience wearable robotics technology to explore themes of power, agency and empathy, this unique dance installation invites members of the audience to wear a robotic exoskeleton.
Gilles Jobin & Artanim - VR_I
17 - 19 April

After showings at the prestigious Venice Film Festival and the Sundance Film Festival, this award-winning immersive Virtual Reality finally comes to London.
Alexander Whitley - Celestial Motion II
AOE - 0AR
Alexander Whitley - Celestial Motion II
17 & 18 April

A shared virtual reality dance experience, Celestial Motion II transports you and a friend to an alternate universe where you are joined by a virtual cast of world-class dancers on a breath-taking journey towards the sun.
AΦE - 0AR
17 & 18 April

This free foyer augmented reality piece takes inspiration from the iconic Sadler’s Wells production zero degrees (2005) by Akram Khan, Sidi Larbi Cherkaoui, Anthony Gormley and Nitin Sawhney.

 

Sadler's Wells

Rosebery Avenue, London, EC1R

Coronavirus update: Following government advice, all performances at Sadler’s Wells’ theatres have been cancelled until 1 September. Read more

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