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Crystal Pite & Jonathon Young / Kidd Pivot Assembly Hall

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A large ensemble of performers in medieval-inspired costumes and armour is aranged within a large frame. Some performers kneel while others stand and gesture around a central figure holding a sword.

Myth and the mundane collide in a valiant tale of power and order


Olivier award-winning Kidd Pivot returns with a work fuelled by the power of language and myth. A group of medieval re-enactors have gathered for an Annual General Meeting in their local community hall. As the Board of Directors, they oversee an event called ‘Quest Fest’ that has fallen on hard times: membership is dwindling, debt is mounting, and the hall is falling apart. Unless something drastic happens, the Directors of this esteemed order will face dissolution. As the meeting goes on, the line between real and re-enactment begins to blur, ancient forces are awoken, and it soon becomes clear that there is something much more at stake than a mock-medieval tournament.

From the team that brought you the ground-breaking, award-winning productions of Betroffenheit and Revisor, choreographer and director Crystal Pite and playwright Jonathon Young join forces again to present a dance theatre hybrid that promises the company’s signature wit and invention.

Header image © Michael Slobodian
Header image description: A large ensemble of performers in medieval-inspired costumes and armour is aranged within a large frame. Some performers kneel while others stand and gesture around a central figure holding a sword.

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Pite is an image-maker of rare distinction.THE AUSTRALIAN


Pite and Young’s execution is characteristically sublimeINTERMISSION


Mind completely blown – yet again.THE TELEGRAPH (on REVISOR)

Did you know?

Since 2015, Kidd Pivot has measured its touring carbon footprint and offset over 1000 tonnes of CO2e (carbon dioxide equivalent), enabling Kidd Pivot to be one of the first dance companies to tour carbon neutral.

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